Vapaus, November 8, 1956

              i i i
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D oikein
eesimty
in
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flUan &
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vaneerin^i
ölla;
Iltaan sup
sen t i u k ^]
nnustyot'
Yhdysvaliott.|
ria on alettii
a.
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Sloedel Ltdai
137 työlä
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ifjiinv XAINE M
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«k4Jimt«iliawie»tatojat! ,
M A m ANNAXA'Widtefiäi^a:vasla|^l^^^^^
[ haastaa Annie iSetalaii |a £Iidl.l4iiaseiiHliitef:sliista, Ont.
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vdui
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^eniy Beeals- a ^^x^
ly Incidcnt'
Dear Setä and ali the readei^
' this page:^ ^ , /
About threeyears agoup. afiBartr
Lake rfear Burks;Falls;>where J
spending my summer övacatloni
^ Jather decided tp^ ti^eat ali ai
liö-<8tx children theretand Elli-täti
nd a.few other grown4ips tö ji' mo^;
lie* in Burks Fallsc*.:SomevOf;the
dragged an old: car seat froitt
utside into the trucfci; so the adulti^
sit on i t instead of the hard
Hoor. . w ^
After driving along for a toile or
) we heard some wild «lu-ieks from
be back of the truck. ,1 htard one
the smaller girls yell something
Ut a snake being i n the truckl
father stoppeid the j''tf'öck. and
St to the back^to see wliäf'waÄ^
ong. He'npened;the^ack''dS61g
nd just al^out got l^t iii 'theZJ^ce
r a flyin^' car seat, thatf sömeon^
s trying de^parlit^ly>to thrQW^oui
They «reijel tryinlg id 'sq^kfiza in^
de far cor^er of thej^tr«ä^|^' .
We soon jfound ,öiit Vh^t ali the;
amotion^ivvacf^aboiit. tjhattdld'
bar seat, w$lchhad been'o^ltside ali;
ummer, the sna^es liad 'found an^j^:
leal nesting pFace. When some-')
|)ne sat on the ^fe^tthe five snakes
me disturbed and came out to in
Waiter Had a Gofed ,
HailIowe'eik .: .
Dear setä,
:Well, >Hallowe'eh -is over. and I
hadagood,time. .I wentfrpjn house
to jbouse too and got lots of kisses
^and ni^ts. 1 won't be able to.eat
j^them ali. a'he best I got from Kai*
sa,- Helen and Esther.. I would like
', to thank^ them. andsmy mother. > ^
We were at Webbwood b^cause
our neighmour Mrs. Ida Anttonen
died, It was. too bad becauser she
Avas av verynice person. \Ve-^sed
1 ^iM
Tlie tiny garter snake^rwei^ mö^ei
frightened than we wer^and:;iil|ni
e been; glad when? we: (^are^
em out of the truck. We left^tKe'
ild car seat beside the road and
contiued on our way to the show.
That incident is one-oof the fun-niest
I can remember' in*. my iifel;
Lefs hear some funnier< stories yet
from other readers of this page, sö
we'Il keep Setä real busy. P e heai^'
ing from you. , ^
Henry Tarvainen',
Toronto, Ont.
The sheer beauty of her perfor-mance
moved an audience to tears.
She has.won such superlatives from
British^ .critics xärely' 'evei* ui^dd
of ah ^ t i s f s T^ra^omance'. ähd'has^
been äcMrded Jront ^page lieädlines
to go and seet her: often, because
my mother livedtherebefore.
.;.; People are sure funny.;One day
•aboy^bit meVthe doctor gave me a
needie the sameday. , ,
*x We sure haj^e nite weatl|er lately.^
Irwould'.iike to getTan electric irain;
•igSc?j*'o^^^' t^o^ u^s-^ w^h^e^n ^w^e^ w^e^r^e ^t^h^er^eT l^a^lst^ ^^^ an artistic ächievement. She is
'naonth. : We went with my uncle.
"ipomvand hls \itife and fami|y and
ihii'v.'yänt Meimi.VShe has'gone to
tfework n ^ l ^ i r t Affiiur.|4
| i^M% i s n o t 4 ^ ^
as.been ^orkungf^^föil har^^:
16: brought a treat wnbn s&<^v<
»me.
J[ was up to see Setä tast week
^ ^ n I :wenV to see 'Kaisa and Helen;;
I,'%t the lettfer on the stove and
mmmmäm
TheaireCrowd
UniedfoSee
NexlMny
Toronto. r-r-^Anyone down iroAvay
wondering wh3t tö do with!them-selves
this : eöining 'Sundj^y?' ^The.
Yritys gan£ has; been toving 's^e';
v^»y interesting Sunday evenings
at Don Hall. Everyone has had
a chance to relate their v^t' or
meagre jStage experiences as veli
as.$eeing;a worthwhile<film on dif-ferent
phases of 4he theatre.
, This weekend you can kili twb
birds with one stone. At four p.m;
the familycomedy" Vihaan Sinua
Rakas': will be >performed. and if
you really want something to tal^
about be sure notr miss i t You
dont: need toy understand Finnish
fluently to follow this play, (P.; S.
a little expcrience in' life wiU go a
long way); With some of our top
talentperformiug, yon might easily
piclcup a few pointers.-At any rate;'
we guarantee that it!U^ill'set the
modd for a- pleasant afterndon> and
evening of entertainment. ' )•
So come on foiks;' it ^in't' hiber-naling
time yet, majr as well enjoy
the: warm weather while it is here!
— Loudmouth
COMING TO CANADA
1 i . ^
•k f I. f nown
The.Fini|lsh «iimmunity in.da-nada,.
w4U .tie delighte^ tn',kn,ow.
that^' negotlationsi gaitr) underfvay>
' to bring the Finnish film"'^e
Unknown Soldier^.to Canada tp!
be i^hown in the original Fianfsfa^
veräon. The film created qujite/.
a controversy^.at the intemattonal;^
fitm festival i n Paris and was ii*-';
nally withdrtiwn andlater^teredv)
i n ' the Berlin film festival. The
~follbwing Is a brief accountr-^jpff
the receptioiit the - lilm- recelved
in*Beriin. . .'
When Finland withdi'ew its n^^,
tion picture ''The Unknown.Sol|lier,"
from tbe V' Cännes F^lm. ^ F^^
^ome people. may^ haye thöifi^ht i\
was ju^t a publicity^ stunt., ,fiiis
would^ have^; been ,:to. misunder^tsun^
the significance of this/pa^ti(;|jiji
film: for the Finhish peqpjp: nöt ,og',
ly is it the biggest Finnish mbyie;
effort of-all time,it;ls':aiso regardr
ed by the Finns as'an original docu<
ment, a testimony to the Finnish
character. Thus the negative- atti«'
tude of the Canheä Festival Gommit.
tee^couldhot Jiavci)den moi'a'aniiss;
,,^Two mönths M e r Firiland cnlcr
ed rrhtf UnlaioWn Söldicr" in thd
Periin Festival and made everyief
fort to play it up. ^ Naturally, the
publicity value of the bappenings
at Cannes were fuUy exploited and
a .Berlin newspaper;;produccd the
cutting slogan; "What Cannes can-
«o^ do, Berlin can". The tactics of
thff',lobbyists around the Cannes
Conimittee^ had recoiled.
• The curiosity of the public had
been. aroused and ''The Unknown
Soldicr" was the most 6agerly await^
edfilm at the Berlin Festival. This
is:;not always -an advantage, hut
when an exhibitor knoys that he
has* a really good film, he can take
the risk yvlthout much fear.^and
«sure enough; the V,ynknown'^ trium-phantly
witMstodd the test. Thrjough-^
;outj* the' audience showcd in^ense'
participation in ,the film and ,a
<:<sbockcd capitulation to its; message
that thero is .nothing- more -futile,
mote insane, more inhumanand de-graöing
than war. The critics were
GALINA ULANOVA
They Cali Her a Miracle
called "the toast of London'
"miracle".;,, '
cstlgate, toseewhatwas5görng,.on.-^^org|^ to m a i r i t Regard^iunUl
"She", of course, is Galina Ula­nova,
prima ballerina of Moscow's
Bolshoi. ' ~ ' '
And now a^ the feature \rriters
;i)/^>iri[tjr({$;irt,l<ondon are tryjng' to
getpt the Story of this remajrkable
woraVin, to find out why, how5wheh
and where. , f, j-
From this distance — wel Canar
dians knjow her only from her ap-nexpt^
me.
4Walter Kangas,
\ ^^iidböry^Oht
A PSEUDYKO»^
Old Lady "And what is your
nfime, my good man?^' :
Convict — "999."
Old Lady — "Oh. but thafs not
your real nan\e "
Convict "Naw, thafs- only me
pen name."
niiiHHitiniiriiiiiiiiiiiriiiiii<
TOIMITTAJASEFÄ-. JUTTELEE
leA-
3ki-
- " I
leman pitäit
tteni seuras^-i
ovat jossain vj
ankuin.epa-täisikö
iäsä'!
•iloinen, ' - " " i
in antaa ,ptft.^
imenen vuq*"
ikin mahdoirf)
llaisen, jokav'
nuoreminajfii?
alta hän^efel,
nelle, bape^jt
Mahdollisesti:
[ vähän haf-j
"henkilpjjii.,
hän ei ai;^it
ikäisenä
kekkerei^t-
•n voi hyvlpfjj
irsin rauh^rtf
tapaukset)
ia aoitaj*pt-j^
änen olevfA-^
ipyörälö:,,
lahdoUisifjftj
äkce (aiva^;;.
ievävartal»;
hänen fl^,.
teinrebell»-^
Ikki.tuirt^i;
iänkin,
än.' SiMote!!
1 äitä ttfit*/*
n, —Neio^.
Haloo tytöt ja pojat! .
Taas pitkästä aikaa tapahtui^ se
j omituinen ilmiö, että ainoastaan po­jilta
saapui tällä kertaa kirjeitä.
Usein tapahtuu niin, etta on kir­jeitä
vain tytöiltä, mutta harvoin
pojat ovat saaneet yksin isännöidä
tässä meidän osastossamme. Niin
kuitenkin nyt tapahtui. Siis kiitos
kirjeistänne Henry ja Walter,
I Henry nyt kertoo siitä hauskasta
j tapauksesta, josta hän viinle; viikol­la
lupasi kirjoittaa. Ja hauska se on
[ainakinSedänniielestä." ' .
Henry teki viime viikolla sellaisen
ehdotuksen, että kaikkien kirjeen^
vaihtajain tulisi kirjoittaa jostain
hauskasta tapahtumasta, että saatai-
'tähän meidän «sastoomme
enemmän lasten kirjeitä. 'Setä ei
taiteÄkaan ehtinyt viime viikolla
Mnoa-mitään,Henryn lakeen joh-
Mäa," koska kirje saapuijuuri en­nenkuin
lehtemme .'ilmestyi.^ Kirje
niitenkin ehti siiheil.
,S?tä 6'n samaa mieltä Henryn
että jotairi on tehtävä saa-oacetame
kirjeeriii^kihtajat fanöstu-
"»aan kirjoittamäaii" ,useitomih ja
Miaksemme o^astpllemme. uusia
«qeenvaihtajia. 'Hinry ehdottaa,
ft^-,tulisi kaikflle' lapsille antaa
jota kirjoitusaihe ja hän iltse^^eh-
JoKai, että kaikki kirjoittaisi .jos-
"J? hauskasta tapahtumana. Sedän
mielestä se on hyvä ajatus ja^Setä
2 ° % jännittyneenä. Kukahan
™ a Henryn esimerkkiä? Tiileeko
f > ^ i viikolla hauska-aiheinen Mr-je?
/ • <. - V'
aika on taas rientanytT, Lap-jyX^
t io olleet koulussa,yUkak-agaikautta
ja Opiskelu on..tietys-
" öynyt hyvin. Täällä, Siidlbuiys-t
alkaa t»uIinnt»u..a.. n_ iirin_ tkl .u. i2n„ .j' oJu l-uZ o^litsi: ,meni'vielä kaksi mereUe ja' h
'^{lä. Eihän täällä vielä ole liitatäT O^ySt plaiemmän samalla.
ole vielä tietoakaan. Joulu Junnel-m^
lipn aiheuttanut se kun monissa
Jcaupoissa on näyteikkunat koristet-
4u; jouluaiheisesti. Ja eihän /iässä
ole enää aikaa kuin seitsemän viik­koa
joulupukin^ saapumiseen. Se
myös merkitsee'sitä, että koulutöi­hin
on kiinnitettävä tarkka huomio,
'että kaikki lapset pääsevät hyvin
ansaitulle joululomalle. Toimitta-jasetä.
Oikeäjcalajtittu
:Neljä\urheiIukala5tajaa koki merr
killisen eläinyksen«erjantaina, syysk.
7 pnä'. Askini^^ke3W Göteborgin lä­hellä,
He oUvat Bftenn^et merelle pyy­dystämään
ma^illejav mutta he tuli­vat
takaisin mukanaan kaksi'suurta
nokk^alasta.
Toinen valas oli 4,75 metrin pitui­nen
ja painoi noin 1,000 kiloa Ja toi­sen
pituus oli 3,20 metriä.
Nämä neljä miestä kuuluvat. GÖte-oorgto
lentolaivueeseen. — Kun ollm-;
me-päässeet noin 400 metrin päähän
rannasta inäimme suuren nieiUllisen
btufacniyokakulki pitkin meren pin­taa;
Eläin kääntyi äitkiä Ja tuU suo­raan
meitä kohtL Se kulki veneen si­vulla
samansuuntaiBesti niin; lähellä,
etta-aitomme ulottui siihen. Me lölm-
Me sitä airolla päähän. Se huumaan­tui
ja oU hiljaa, joten saimme lyö­dyksi
«itsen sen niskaan. Silloin sii­hen
tuU Jälleen eloa; Se suuntasi suo­raan
kohti maata. Me pidlmmeklln-nt
valaasta, Jpten se hinasi meidät
fcohö «naata-Vsiellä sen voimat lop­puivat
ja se vajosi pohjaan- Elenenj-j^
yalas oU koko ajan pysyteDyt noh»
25 metrin -etäisyydellä meistä. Meistä
he pyyr
tayaDä
saaneet OTiirenra^
Not simply physical work,' Ula­nova
points out, • but the "work of
the mind^tiicl heart, the work of ^he
•spirit';'.,, f :;The;danfier;s,aniellpcjt
ac^uire^ independence, ir^e^^pffx^
breadth only as he accumulatesjex-,
periiiencös'<'ahd' intpressiön^nas *'Ae'
masVei*s 'that gre&tedt ^fäll sJelencea
the"öcienBe'öf life;» ^i'^> ••i-^OHf
But Bhe-fdbös -lAiti describe Ihct?
youthf UI? 'träininig! M (-««toe» i*k»f ty'
heille cöttd6\itiäti6tiv'to) >work^>Sl&ny.
tlm6ä"äh«' -dahife''to» 'hate^ i*. - rovoMr
agaS^rtst itf wantea ^o^ittin aivayr^jShes
h e v § F ' d i ä f ' " • '''-'^' i"'^;'fn
STAMSLAVSKY ..j», u'^,,^
TlöB ',lsieflret','.iij!l5rh«r gre?\tfflPt»#Jry
can,pe»;hap8^b.efit'b«i6wnn»eA m, JjP;
pearance in the filmed version of .the8e,wor(tel6he,,fluqtesirfSPfa.PMj
feomeo and Juliet (not,,,^^y the nislay8ky;„?:There,ar^ .danQqrSi.pndi
critics, to be cöin|iarted AVith ^he ori-ginal'''
on ^ge^\^Sifi'we can only
mm
«i 4iile3iet kertoly^tri
turn'tb her own>story as she: wrote
it. There one^finds most of the
answers.
BORN TO IT
^Galina Ulanova was bom into the
World of dancing. Her mother was
a ballerina; her father a produceir
of ballet in Leningrad. She did not
want to he a dancer, but was sent
to a dancing school when she was
seven — just at the time of the Rus­sian
ReVolution of 1917 . (which
ought to gettle the age questian on-ce
and for ali.)
School was such hard work. She
protested again and again and fin-nally
her mother promised to take
her out; But between the promise
and the fulfillraent, Galhia Ulanova
discovered her W i n g s — - and deci­ded
to stay. '
"I was, of - course, a child: I ,be-lieved,
or at any rate could easily
make.myself believe, that I was a
lady-bird or a little springtime bird.
That-beliefcomesso easily in child-hood.
And what a p i l y i t is that this
belief m what is happening on the
stage, is so difficult to preserve
aftenvards, and that one has to work
so hard, sometimes SO painfully, be^
fore one can 'get into the skin' of
a role and believe in it Bo utterly
that audiences will believe in it too:
Therein lies the secret of Ulanova
—inciedible technique and an abil-ity
to get inside the character she
is .performing. Which is why a
critic could say "she IS Juliet''.^
Ulanova gives;fuU credit' for her
success to the Soviet school and to
her tireless pa^ents. She writes:
i "öäncing is' an art that demands
endless, unVemitting tolL Even in
the rsummer, on your holidays, you
have tö work. And I realized fairly
early that work and work alone can
make one's dapcing graceful, beau-v
tiful, inspired. Though, to töll the
truth, I have never cared, f or these
löfty wörds: they have always sTOm-ed
to me inadequate, I would even
say remote from the real essence of
our work.
' »If one dbes speak of the sour<?e
of artistry, one docs best' to quote
Gorky: talent is work."
She was greatly influenced" by
Stanislavsky, the-man who revolu-tiönized
tHe approach to theatre,'
\XiO bad said that the ''Joy oi
'creaflon . : c o m e s to the true' ar-tist/
after tremendoiiis effort.. "
actoM>,whD,ihave (dflvetopediiPÄ?8^»:^
city,in<thein5elKe5X)n«e^ai}d frufiflKs
andmo longerjsthiytr^t^aU aftp^V
that aspect of physical:.movenJe;it;>
Plasticity has become second nature
to them. Such dancers and actorr
do not dance^ db not act; but htovc
as is natural to them,. and they can'
not help doing it plastically."*
Ulanova even today does.not be'
lieve she has reached that ideai;'.
"Always, ali my life, I have ha€;
to think at every perfofmance 'abouf
there being sbch-^nd-such move
ments to execute; and the ^ mort
difficult the movements, the more
strenudus tlfiSt thinking' proves
Dancing Juliet f or the • hundredtl
and the five hundredthHime, I shal
have to prepare inwardly for thosc
dif f icult steps in the adagios of' the
first and third acts.
"What is essential (as I see it ai
least) is to. command techniques
with sufficient freedom to enable
you to express the main thing: the
boundlessness pf the feelin^'thai
seized the heart of Juliet . . , •Voi)
have to^command technique at least^
so well that the spectators sball noi
see that you are preparing for the
difficult steps . . .- so^^ well that you
may execute them with ease and ac
curacy, achieving that precision and
clarity of line which marks the work
of a superb draughtsman.''
POETRY AND DOGGEREL
She includes as part of technique,
not simply the physical piovementS:
but the 9bilitytbcombinewith your
partner and to get, at the, meaning
in the music.
' She fäelsthat a role wlll bejempty
however perfectrit may^seem out-wardry,
• unless i t ' has beeri' '"filled
with the f ruit'of thought". An attoV
i n drama. Iiäs i t easier than a' dan­cer
she Ibefieves: " A l i w6 häv^ to
work with is" music and wordIcss
niovements;; So w^ mustvleärn to
express -thought' by movement so
dearly and convincinji^y that mov^:
ment shall take öie placc words.'!
"Yes, we Iiave a set of elcmeritkry
movements that might be llkehed to
the letters of the alphabet. Yes, out
of tbis alphabet 'we can form dif-feren|(
words and sentences: that
will hiake'tip^the dance.^y^ But out of
theletters of thereal alpliabet/tooi
one can fomr^he Twords of lovely
poetry or ot wbrthle8s do^gereL
And just as thereJs,no ready-inade
recipe tor true potery,'8o:t|)^re.,is,
andvcanbenotktrfor-beautiful
mm
As for Juliet, here in her own
words-:isrhow she enterprets this
.tragic figure:
"PfOkbfiev''by"Trip vigorous'«and
unuäuat Musict' wfaioh'<appealä' so
'rfeafeiy ito tHe riMderri ear/^etfd&Jso
thof dtighay 'J(iOASOh&nt':tvith' iShake^
s^earfe • ^teicr'^0'-cloan>4nd.-vvlvld
in its chavafcteyizatioiiiJthat*titfdic:
t|it^d<t6^ thä 'ekpresbioni^nrdctfg-nif
ieäAc&ioK toiiif t^etions,'I bur^'möve^
meriti' «öittmahded- usf you can
anrfl-rttusl «c» lonly»' «thus-andtthUsj
,Thi» 'helpedfife^rbatlyiiin deZcrmih
ingtee iJaiftfe%S'bf»tHle>fäähtJ«/Btrt
eveA'«ÄJ*th*iflafa<!e'Häfa'tti**e'va'tfert«ä'
nad'*td'/Ö^'cdrtl^W'df ^hae^smaif
alpHätjyt» M''Hriov>fi baliet 5<moV*i<
meHts'>^i6h* wä?*ri^e iiV'0\iimi)^6-
HtWr-is tftTs"difAfe? V\\ik&^i''\^^
.lot^dhsÄreK nvt Hö1i''änJ^ohÖ'telSft:
"What I saw in Juliet wiS<'a"<*iH'
of -^traordinaryi pow^r. the^^bility
and Irieadiness to fi^ht to 'death for
her 'happiness. Hence the ihtcnse
Jramatism of the scene with her
'ather ).when she refuses to marry
.^aris, and hence that utter deler-nination
and courage in the midst
)£ despair which I have sought so
iarnestly to express. I saw in this
•haracter spiritual qualities/which
mder other conditionswould have
cd her to deeds of supreme patrio-lie
beroism. . ,
"I) w?nted, I felt an u^geöt need,
JO portray in my Juliet a person
dose toourselves in spirit, in some
measure a contemporary of our
jwrf; Tiiis Iragedy written centuries
igo tvas to söund in the ballet as a
modern' theme, was' to be felt as
a ncW ballet." ' « '
capturcd,'' acdafming' the "Uni
known":as a really grcat':afitt vltal
film tbatVdeser^^ed to 1)6 showii all
.over the^ofld.^^fhe biggest' xec6g-nition
came from the eight-nation
jury of the Office Catholique In­ternational
du Cindma which gave
its big prizc " f o r a film that contri-butes
most to.tHe growth of humaii
values:and spiritual development
to the Finnish movie. In announcing
the award the jury described the
film as "an urgen^ warning ägalnst;
war*' and added that it "showj», with
out agrrcssive vand militant patrio^
tism,.hQw the o^dinaryhuman being:
even in ithehorrors of modernrwaF-^
farö tries to uphold hisiinnermost
sincerity". Thq essential idea of the
"Unknown'^"cOuld? iibit Ifav^'fiedn'
more clcarly 4e(ine^.-, , , ,
-^To the laarein öf BferIift''«The Uri-'
kno\y|n Soldier" can ad<t ä ,host of
cnthusiastic,,^cvleYrs' from jmanjr
different cbunt^es, .Tlius, the Lon­don
"Tii^es*; fiailed i t / ' a grea^ filnji
in evei3('sense,of the'wprd, a film,
comprising in ^tself the„{virit of a
nation and .tHe soul of ttie indivlduai
as stircingand as patriqtic as the
Marseillaise" and "Gran, Mundo'' iii
Madrid described i t ns v'one of the
most touching, human and true
war stories that have ever been
made in the whole^ world, a film
that wiU leave deep traces in the
history of the motion picture." Re-vlew8
from Scandinavia, Holland,
.France and Switzerland»have re-echoedthese
tributes..',, j , ^
The' nvteb^iexprcssfiä: tby. so imany.i
criticsjithati'i'The. Unknown Soldien'!;
shonldrbd'.8bownieli';atventhölvriotid
is likely to I^e fulfilled. Already,>tl<e
film'tis;beiR9.fdubbed intof Frbnch
and • Qcrman :iii(nd(<negotiatio;is: ate^
under ivdy^J]ov'Effgli«h
Italian versions. With
for the smaller-languagevi
vy^ill enable tjicyj fllp
througoul,tlv8,J!«5^JlOiWPJ5iäl
is also a possibilityr^Ji
countrics wili see' the'
BeriiH^ n^m^ '<^'Neue8"6euts<krtlärfd"
dei(frt^Bd""Thö»^VttkhoJ*^tff'S61dIöi?"f
as '"äti ">Sna^reäÄiVÖ'' and'^iitt|j'ortant
filitf;**"'^''" ' ' ' ' ' 3 '''">'i' 3 ,*
V '<An\'"i <irfii>',iu.;{,<.t\f. n-i f:0(,
'llARi>^1)i^CISlO!^ cXiiS
Th'c^'^öetoi-r-who^>ad" iudi^' Snl
8höd'J ah' * elderly'"'tnan'B' annual
checkup, said with a laugh, "Weil,
old timer, I can't seem to find
a thing. wrong Vith you, but I
recommend that you g l v e u p h a lf
your love life." "
After a longpause, durlng which
the paticnt appcared to be: in deep
thought, he replied, ''Doctor, which
half do you recommend: I > give up,
thinking about it — or talldng
about i t ?"
Things* apparently are relatlvdy quiet ontb»
front. We häve beca hoping to iet »mc dhpejoti:, ^^'""^^^fffl
nes beine olanned' and aireailv iiiiderwav. hat
im
the things being planned.and aiready underivay» ^''^^^^^^Jfei r.^c^
little infonnation has com^ througb. ^ - ^ ' - . £ y^^: • ^7*i
We are aware of the fact that some activities ar/ going; ^
on in the Lakehead.iand Vancouver; but our infornlation ,isV(y /'^tv
_so akhnpy ihat we dare not put it down in blaGJ^'.€9^^^hite." \C ^ 'C^t
The dratma group in Toronto has also been ^invplved iiils»&ni^i^;^ J.::r^|l
activitiÄ and we wiU undoubtedly hear mScnre fifiirrtJ^thatfs^r" Idlifllilllp
^' We werfe ptorticularly interested by a, passing,rment^*]''T 'V'-'J
, o£ films on drama that haye been ahown at-tihe Don Hall^bi^'''-^' '^'4'^^
the
cause
interested
Most ceptres have k iiumiber oi youhg people wh6 äxe,^
interested in the stage. bUt vhö are unable to get ;^e jaec£^^ ,
sary in)rtruction>4o dfevejop^ in 4heir'work w$iic}i in'*tum'^ 1-
cteates «iore interest,' Perhai» Toronto will pass ön.morfe^};,,/;;;
infoarmaltion about «lese films.'' Perhaps it is necööan'^ ''
join a drama'association-before they are available., Inai^,;^^, ,,,,
case the information cou1d*be; extremely valuable.tö ,airoia^"',J *
drama grpups. , > .^V ^
^ And drama centMnly is a,timely topic because the^atai^es ^
,of ali the, Finnish halls are begimiing to bustle again for ^äp^ {U > j
other äotive äeason. W« must alsd keep in mänd ^at"1^^'-^'*"'
. Youth Drama Festival wMl «gain b ^ hefld hi the spring'ai^'^^^ > oli?
tliat prepatations'shoul<il' be staHed< a i the be^inning> of
year tömakb this annual ^ent^the success it'has, been in'^!f . ^^^.u
|:i)asi|y^^
Torontonians undoubtedly realize the value of 4he liinis*
they have seen, so how about passing *along'a4ip to oth^^X'^
gröups,'so,that'h?wJiitercst,can\be developedin even th^''^^-
smaller cen^es!, ^ . ' 1 ^
i l
mm
Gymnastic activit|es have been held lip in many ccntre^^./
due tO'ti|^e11ack of,cöinpetentinstruotoirs;^ Despite ihfi^ fat^^^y, I
most active gyinnasts realize that somedhing must be done, ^. :
immediate.ly if this tradjtional activity is to be;inaintainedL.;^/ '
It gymna^tfc groups coiii^nue to face instructordilficMtiesi^jE . 4^
then ^ y miist-resolve thpit prbblenis "«yiihi the'fqr^es a^vail'-,^,^ '
aWe. Bvery.group has ä number öf ^xperienced gymni^^;jf;^-*'l f
tWhoi£^9,ul<l b^ ei|CourjBig^'to give ieaderähip to the grottp.aC/ > J-:
l i i i i
i i
.«V?te4 ftft.wjW^,,;nst^u^tyw
' FIRST^COME . . .
The hUrse motioned i6 One otihä
exjpectant^fathei-ä and; anhouhced,
"You havö a fine son". ' ' "
Anoth^r mandropped his clgaret*
te, jumped up and crled, "Say
what's the idea? ' I waS here bcfore
he was."
}
v/äxes are being iondled dnd it M):on't,be' long before they"*^'
willbe able to give ih€irskl«,a,tryru "'K;
SkHngishlgjijlyorganizedin theSudburydistricft undpr^/*
the Northern Ontario Ski Zone,and,on November ISfih alt- ^
^ disfrict ski clubs,wiU p& sending^ibeir representatiyes id^'*'
North Bay to dräw up a schcdule of ski meetäi for the comhigf
season. It has been Khe.ipractlse to gtye every club at Iea#'^'^
one cross-countiy meet during the coiwSe qt the season. Bift*"
in order to get a datte for ^ satictitined meel an applicatiöii^^'
must be forwarded to the Zone or to tJnto t>ettttinen of the"-*
' cross-country committee; ' ' . ^.^^^"r^
" The öki committfee'of, the FCASFis doing some ne^cP
' tiatihg regärding Pinnit skis and^^ boots which wlll prol^"^'
ably-.be sobn available in Sudbury. As far' as cross-countty'*^!
skiing is concerned Finnish equipment is cohsidered amonig^ ' *
the finedt Ih the'WOrW, so this should add consid€frable ^\ ^
interest in thisfield of spörfc;
mm
l i i
Mitler's Nevrelt Playjs Frank But Ndt Shocking
lil-informed press > reports prioi"
o Ih^ London Production of Milfer^s
4)Iay-'*'A View From the Bridge*'
edohe to believe that this was what
the publicity menrrefer to as a
"frank and shocking play."
AS Bir. 'Miller himself has vigor'
>usIy;pro£ested, i t is not; It is a play
ibout' Italian immigrants living in
•he gaunt tenements of Brooklyn^
about a man grappling with a jea-lous
love. he _ cannot fully corapret
hend.
Miller knowsthese people, tbeir
way of lifäaiid the'way they taik','
.Vot «uperficially like soih^^^hilai^'
thropiq;jsocji^f WOTker, but in||matf!|y
— iike^a close felative. .When he
A-rite^/.ojf j.,the, b^nemn\&^he^, is, ript
lum^ng.', -
In/*A View From. the Bridge" a
hardMMorking docker and his wife
whoi|iave brought up an orphaned
niecfe open their liome to two ille-gaj
i'immigranfcs — ; work-hungry
from Italy.
Withoutfullyrealizingwhy, Eddie
the fdocker,: resents 'the love that
flower8 between his niece and the
younge;rt'of,the immigrants.
The boy is not what you would
call a nian'6 inan. He sings, he
cooks, be«can even,sew. He does
not iconform to ,the pattem of
Brooklyn manbood. •
AViien: a l i else has failed, in an
effort' to"break the romance Eddie
commitslthe'erime ije^^^
the grcatest in/the Brooklyn calen
dar. He informs the immigration
authorities. ' • -
We have sccn from an earlier Mii'
ler play "The Crucible," and in-deed
from his own conduct before
the un-American : Committee, the
conccrn Miller has for a concept
of loyalty.
AVhen; Eddie turns informer his
»battlc is to rcgain his name and self-respect,
! There arö more upspnd down8
thaiii'on'a ;switchback railway/But
Mr. Miller is alvays in control. Wat-ch
him at wprk. Eddie spars with
the boy in a friendly way to teach
him boxltig. Just as the boy gatb-ers
confidetfcä he savagely knocks
him down. > ^
Some authors would be content
with that for an endof-an-act- cur-tain.
MlUer, caps I t The boy'ff
frlend invites Eddie to lift a chair
by one ieg aibne. He lails. T^e
friend l i f t s i t above.his bead. He
stands there menaeinglyabove Ed­die
as thecurtain comes doi^n.
1
Vene %aaiiii ja neljä
henJidiöä h i i p u i '
Kapuskaslng^— Viime sunnun­taina
hukkui Kapuskasingin JoKi^n'^
mr. ja mrs. Paul Emile GuindOi^
Jean Jfarc Drapeau sekä EUeft^
Vaiiquette Icun heidän veneensä
kaatui. , 'VV
Veneessä olleista ainoastaan 13*'
vubtias Guindon pelastui ulmaltar^
rannalle:« Vene Icaatui kun se >tdc<>*
ffläsi tukkia vastaan.
Onnettomuus sattui kun he^o^y4
palaamassa metsäsfysmakaltaan^ "
vi
1- i
— Etelä-Aml^rikan pinta,-ala k ä ­sittää'
6,814,000' neliÖmaUia. ' ' ••'.-iii
Manchester Giiärdian arvclsfefee Britannian otteita
' " A
'* Lont4M>. — Britannlaii iiailituksen'
Egyptiin kohdistama hyökkäystol-menp^
e 'on 'ensiluokkainen :^kata8«
trofl, kirJoittaavUberaalinen sanoma-;
lehti Manchester OuarOian marrask;
1 pnä Ja pitää välllrttuloa "vlrheelll-.
6enä kalkissa suhteissa.
Maailman .täytyy päästä selville
siltä —' niinkuin työväenpuolueen
Johtaja tHughdaiskejllvj^nol :että
miljoonat brittiläiset ovat syvästi
järkyttyneitä balliiuksen hyCkkäys-poUtUkan
ciohdosta/^: . '^
kohdistama hyökkäystoimenpide on
vltlieelllnen kaikissa suhteissa--^ mo>
raalisessa, sotilaalliseasa Ja fx>liitti-sessa.
- , , , ,y
Toipuminen katastrofista vie vuosia
— jos se ylipäänsä on malidoUIsta,
haUitidcset ovat hävittäneet länsh^al-*:
tojen viime viidentoista vuodea aikai*
sen ^litukan perusteet, nknlttäbi
tyäskentdyn> rauhan; hyväksi Yhdls-tynefalen
Kansakuntien ja {^Hcallls^
ten mttojen väUtykseHä.
, Melkein jokaisen muun maan s l l - '
mlBsä, muun «nuässa Yhdysvattain] ja
useklen kansainyhteisöjen jäsenten,
osoittautuvat ne syylllsikBl Inh^
vaan sotatoimeen. Vaikka sbto^iel
laajenis&aan — j a , tähän on m ^
suurin vaara täy^ Britannian
todennäköisesti «obillspldi^ lisftjoukr
fcoja. Maaitan» pitää meitä Jälleen
säällmättönnnä - soctejina, toteaa
Manchester OuaMlan. /
m
^— V. 1056 Canadan armelliafbll
851,000 hevosta, eU idisi tfros^ttiiar
jatkaa lehti. Britannian ja Ranskan vähemmän kuin.edelliseni Vttbnna.
01ylnpja3dsalt pidetään
k a i k e ^ bu^toiatta^ , ii
Bfelbottrne. — Olympiakisofeir/ ^ti
jäf;jestelykomitea ilmoitti marra»>^ ^T
kuun: 4 pnä, että vaikka Jcansaipy^-t^ ^ ^ ^if^
läatmui^^ osanottqroo.J' ^ i
^ l i i p e n k i n j o u k k u e i t a / , ' ^ ,.
ia3^0Mi$'j^^iä8Sit tullaan k u i t e i^
i f e i i i i b s a l l i ^ t u m l s e n ^
^Viital^oitiliräl peruu
i ^ l ^ l Ä u p k s l . ett^
mmmmMmm